Unseen
Waterloo
Reimagined Battle of Waterloo Photographs
Unseen Waterloo:
The Conflict Revisited
Unseen Waterloo is a photographic project I developed to mark the bicentenary of the Battle of Waterloo, exploring how we remember the soldiers who fought in this pivotal conflict. As the last major battle before the invention of photography, the absence of Battle of Waterloo photographs of actual soldiers prompted me to create Unseen Waterloo: The Conflict Revisited, a series of imagined portraits capturing the essence of the men who might have fought on that historic day.
Over several years, I photographed hundreds of historical re-enactors from across Europe who dedicate themselves to meticulously re-creating the Battle of Waterloo. By setting up a mobile studio on the actual battlefield during re-enactment events, I aimed to produce portraits that present these re-enactors as the soldiers they portray. The attention to detail in their authentic Napoleonic uniforms—every button, badge, and insignia—is extraordinary, adding a layer of realism to the images. This commitment to historical accuracy allows the re-enactor portraits to serve as a bridge between the past and present, giving faces to the nameless soldiers of history.
The portraits are devoid of action and context, focusing solely on the faces and expressions of the subjects. By removing them from the chaos of battle and placing them in a studio setting, I hoped to invite viewers to connect on a personal level with those who lived through the turmoil of war. This approach emphasises the humanity behind the historical narrative, encouraging reflection on themes of sacrifice, duty, and the human cost of conflict.
One of the central themes of Unseen Waterloo is exploring how and whom we remember. The project fills a visual gap in our historical records by providing historical portrait photography that honours these forgotten soldiers. The work culminated in a monograph titled Unseen Waterloo: The Conflict Revisited, published to coincide with an exhibition at Somerset House in London for the battle’s bicentenary. The exhibition and the book aim to shed light on the personal narratives behind a historical event often understood only in terms of strategy and outcome. Through these fine art portraits, viewers are encouraged to consider the individual lives that collectively shaped the course of history.
This project was a particularly significant milestone in my career, blending my reportage roots with a more stylised, contemplative approach. Moving beyond my earlier documentary photography, Unseen Waterloo captures the tension between tradition and modernity. By focusing on the last conflict before photography, the series offers a poignant reflection on heritage, resilience, and the human spirit, drawing the viewer into a world that feels both distant and immediate.
By emphasising the emotional and artistic elements of remembrance, I sought to move away from practical details and instead highlight the personal connections we have to those who shaped our history. The detailed uniforms, the expressions on the faces, and the intimate setting all work together to create powerful battlefield portraits that speak to the enduring impact of the Battle of Waterloo.
Unseen Waterloo: The Conflict Revisited is a compelling book by Sam Faulkner, published to accompany his photography exhibition of the same name at Somerset House, held to mark the bicentenary of the Battle of Waterloo in 2015.
Beginning in 2009, award-winning photographer Sam Faulkner attended the annual Waterloo re-enactment in Belgium, where he photographed participants in historically accurate uniforms, painstakingly recreated for the event. From his pop-up studio on the battlefield, Faulkner captured striking, painterly portraits that evoke the forgotten faces of the conflict. His work reimagines moments of triumph, hope, and loss, offering a perspective that feels both timeless and intimate.
“Waterloo is often remembered as a battle between great men, and of course, we’ve all seen the grand paintings of Napoleon and Wellington. But we don’t have personal images of the men who actually fought and died that day,” Faulkner notes. His portraits offer a thoughtful response to this absence, placing the ordinary soldier at the heart of the narrative.
The book, published on the 200th anniversary of the battle, accompanied a 12-week exhibition at Somerset House, curated and designed by Patrick Kinmonth. Its cover design—a beautifully crafted foil-blocked map of the Waterloo battlefield on blue cloth—reflects the meticulous attention to detail that runs through the project.
Unseen Waterloo is both a poignant tribute to those who fought and a quiet meditation on how we remember and retell history. Through Faulkner’s lens, the soldiers of Waterloo are brought into sharp focus, their stories resonating across the centuries.
Unseen Waterloo Books
The Artist’s Edition of the Unseen Waterloo book is a rare collector’s item. Presented in a custom-made slipcase with silver gilt-edged pages, this edition is limited to just 200 copies, with only a few still available. Each copy is individually numbered and signed by the artist, Sam Faulkner.
Unseen Waterloo: The Conflict Revisited accompanies the photography exhibition of the same name at Somerset House, marking the bicentenary of the Battle of Waterloo.
Starting in 2009, multi-award-winning photographer Sam Faulkner travelled to the annual re-enactment in Belgium to capture portraits of ‘soldiers’ dressed in meticulously recreated, historically accurate uniforms. These costumes were crafted with extraordinary attention to detail for the event.
From his pop-up studio on the battlefield, Faulkner created dramatic, painterly portraits that evoke the forgotten faces of Waterloo, reimagining moments of glory, hope, and defeat.
“Waterloo is often cast as a battle between Great Men, and we’ve all seen grand paintings of Napoleon and Wellington from the conflict. However, we don’t have personal images of the men who actually fought and died that day,” said Sam Faulkner.
Published on the 200th anniversary of the Battle of Waterloo, the book accompanied the 12-week exhibition at Somerset House, designed and curated by Patrick Kinmonth.
The book’s striking cover features a foil-blocked map of the Waterloo battlefield on blue cloth, while the slipcase showcases the same design with an elegant blind debossed finish.
Unseen Waterloo: The Conflict Revisited-Thin Red Line Editionis a limited-edition book by Sam Faulkner, created to accompany his acclaimed photography exhibition at Somerset House, which marked the bicentenary of the Battle of Waterloo. This collector’s edition serves as both a tactile and visual homage to the soldiers whose stories and sacrifices have faded into history. Bound in the same red cloth used for British uniforms at Waterloo, each book is housed in a solander case crafted from the same material.
The Thin Red Line Edition, limited to just 25 copies, is a testament to exceptional craftsmanship. Each book is hand-bound by Ludlow Bookbinders in Shropshire, a workshop celebrated for upholding the finest traditions of English bookbinding. Known for their bespoke work, Ludlow creates limited editions, slipcases, and solander boxes designed to endure for generations, combining utility and beauty with meticulous care.
The book’s cover and case are made from Hainsworth’s historic red cloth, famously worn by British Redcoats at Waterloo. The design features a finely embroidered battlefield map in silver thread, stitched by Hawthorn & Heaney, a London-based embroidery studio situated near Regent Street. Specialising in costume, ceremonial pieces, and high-fashion embellishments, their work combines precision with artistry, ensuring each detail is both meaningful and exquisite.
Every copy of the book is numbered and signed by the artist.
The portraits within Unseen Waterloo were created by Faulkner between 2009 and 2015, as he photographed re-enactors at the annual Waterloo gatherings in Belgium. Set against a pop-up studio on the battlefield, these painterly portraits evoke the forgotten faces of the conflict. Each image captures the humanity of the moment, reimagining camaraderie, resilience, and loss, as experienced by those who fought.
“Waterloo is often remembered as a clash of Great Men, yet we have no personal images of those who endured the horror of battle,” Faulkner reflects. His portraits offer an imagined tribute to the individuals behind the grand narratives, creating a sense of connection with lives otherwise lost to history.
Published alongside a 12-week exhibition at Somerset House, curated and designed by Patrick Kinmonth, Unseen Waterloo honours the overlooked men of the battle. Through Faulkner’s understated yet evocative imagery, the project reclaims a sense of humanity for those who bore the brunt of history’s weight. The book and its portraits serve as a quietly powerful meditation on sacrifice, loss, and the enduring cost of war.
Battle of Waterloo Photographs
Maréchal des Logis-Chef, 9e Régiment de Cuirassiers, France
Trompette, 1er Régiment de Chevau-Légers Lanciers de la Garde Impériale, France
Surgeon, 33rd Regiment of Foot (1st Yorkshire West Riding), Britain
Rittmeister, 1. Garde -Ulanen Escadron, Preußen
Rifleman, 95th (Rifle) Regiment of Foot, Britain
Korporaal, 7e Bataljon Infanterie Van Linie, Nederland
Jager, 27e Bataljon Jager, Nederland
Husar, Herzoglich Braunschweigisches Korps, Braunschweig
Douanier, Douanes Impériales, France
Drummer, 52nd (Oxfordshire) Regiment of Foot, Britain
Capitaine, 7e Régiment de Hussards, France
Chasseur, Chasseurs à Cheval de la Garde Impériale, France
Capitaine, 8e Régiment d’Infanterie de Ligne, France
Brigadier, 9e Régiment de Hussards, France
Aide-de-Camp, Grand État-Major Général, France
Private, 42nd Royal Highland Regiment of Foot, (The Black Watch), Britain
Corporal, 3rd East Kent Regiment of Foot (The Buffs), Britain
Sergeant, 44th East Essex Regiment of Foot, Britain
Private, 27th (Inniskilling) Regiment of Foot, Britain
Officer, 7e Régiment de Hussards, France
Chasseur, Chasseurs à Cheval de la Garde Impériale, France
Unseen Waterloo Archival Prints
Archival print of Drummer, 52nd (Oxfordshire) Regiment of Foot, Britain from the series Unseen Waterloo by Sam Faulkner.
Printed on Hahnemühle German Etching paper, celebrated for its distinctive texture and warm base tone. We selected this paper for the Somerset House exhibition of the Unseen Waterloo photographs due to its entirely matte finish, which produces a painterly effect perfectly suited to these images. This heavyweight paper features a robust mottled texture that enriches colours and intensifies blacks, while its robust construction imparts a handcrafted quality to your prints.
Unseen Waterloo comprises a collection of reimagined portraits depicting the overlooked soldiers of the Battle of Waterloo, captured in the very fields where the historic battle was fought.
Format: Archival Pigment Print
Printed on Hahnemühle German Etching paper
Please note, EDITION prints are signed by the artist and numbered on the bottom right
All prints come with a certificate of authenticity
Print of Hussard, 7e Régiment de Hussards, France from the series Unseen Waterloo by Sam Faulkner.
Printed on Hahnemühle German Etching paper, celebrated for its distinctive texture and warm base tone. We selected this paper for the Somerset House exhibition of the Unseen Waterloo photographs due to its entirely matte finish, which produces a painterly effect perfectly suited to these images. This heavyweight paper features a robust mottled texture that enriches colours and intensifies blacks, while its robust construction imparts a handcrafted quality to your prints.
Unseen Waterloo comprises a collection of reimagined portraits depicting the overlooked soldiers of the Battle of Waterloo, captured in the very fields where the historic battle was fought.
Format: Archival Pigment Print
Printed on Hahnemühle German Etching paper
Please note, EDITION prints are signed by the artist and numbered on the bottom right
All prints come with a certificate of authenticity
Archival print of Jager, 27e Bataljon Jager, Nederland from the series Unseen Waterloo by Sam Faulkner.
Printed on Hahnemühle German Etching paper, celebrated for its distinctive texture and warm base tone. We selected this paper for the Somerset House exhibition of the Unseen Waterloo photographs due to its entirely matte finish, which produces a painterly effect perfectly suited to these images. This heavyweight paper features a robust mottled texture that enriches colours and intensifies blacks, while its robust construction imparts a handcrafted quality to your prints.
Unseen Waterloo comprises a collection of reimagined portraits depicting the overlooked soldiers of the Battle of Waterloo, captured in the very fields where the historic battle was fought.
Format: Archival Pigment Print
Printed on Hahnemühle German Etching paper
Please note, EDITION prints are signed by the artist and numbered on the bottom right
All prints come with a certificate of authenticity
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